Archive for April 29th, 2009

29
Apr
09

Marnie Stern: feminist metal affirmations

So, one of the downsides to having a blog is feeling like you have to stay up-to-the-minute. But one of the joys of having my blog is that I can write about whatever whenever. And one of the joys of being an adult (according to Jerry Seinfeld) is eating whatever dessert whenever. I am eating cookies at the moment. Before dinner.

Anyway, I didn’t have this blog when singer/guitarist Marnie Stern’s This Is It and You Are It and So Is That came out, but it was one of my favorites from last year. I was extra-happy that my neighbor-friend David (quite the guitar geek/metal aficianado) recommended her and said something to the effect of “she’s not ‘good for a girl’; she’s really good.” Fabulous!

A lot has been said about her sound, which I think of as lady-Viking music. All shreddy and clangy and fast. This is my go-to bad-ass music. If I were ever on a softball team, any of these songs could be my theme music (I think I’d go with “The Crippled Jazzer,” personally). Hell, she even makes me wanna join a softball team, and thus set aside memories of my fat, “indoor kid” childhood. And I can’t get enough of her guitar-playing against her sugary, girly voice.

A 2007 New York Times article about Stern, Carrie Brownstein, and Kaki King awaits you if you click on this image

A 2007 New York Times article about Stern, Carrie Brownstein, and Kaki King awaits you if you click on this image

But for all that’s been said about her sound, I’d like to draw attention to her lyrics, which are awesome and I think of the tribe. So, today, I will list a favorite lyric from each song on This Is It, in the hopes that one of them will appear on a bumper sticker or a t-shirt. Or that I find the time to make one for myself.

1. “I made a start, looked back just once” (“Prime”)
2. “I turn this moment into something new” (“Transformer”)
3. “Center, we enter” (“Shea Stadium”)
4. “Chaos is a friend of mine” (“Ruler”)
5. “Grabbing minutes. Stuck in composing. Finding an angle.” (“The Crippled Jazzer”)
6. “It’s the search that I crave. I always hear that song at the right time.” (“Steely” — may as well be my mission statement for this blog/life)
7. “There are dimensions I must enter to see what I am made of” (“The Package Is Wrapped”)
8. “Bigger without boundaries big enough to try bigger than the whole world” (“Simon Says”)
9. “Movement is the sign” (“Vault”)
10. “Holding back will be forgotten” (“Clone Cycle”)
11. “I present two sides: my hopelessness and my faith, my ego and my heart, my feelings and my brain” (“Roads? Where We’re Going We Don’t Need Roads”)
12. “But this thing we’ve started it’s rare and new” (“The Devil is in the Details”)

29
Apr
09

Kim Ann Foxman: lesbian messenger boy

For this post, I gotta credit my dear friend Kristen, whose ability to think critically and mine great news items and articles is invaluable. She may wanna remain behind the scenes, but that’s not fair.

So, Hercules and Love Affair made 2008 their year, as did the music press, who gave them tons of love. And this is great to me, as I was a big fan of their debut album. Who doesn’t love a multi-gender, multi-racial, queer disco band? Isn’t it time for one, America?

The song that got the most praise, it seems, is “Blind,” a stirring anthem about growing up queer and the heartbreak, struggle, determination, and — hopefully — defiant joy that comes with it. No disrespect for the song. I’m happy about it and was pleasantly surprised when Pitchfork named it Single of the Year.

However, one of favorite songs on the album is “Athene,” a song Kristen and I giddily talked about when we had both had a chance to process the band’s debut. While the band has been aligned with the gay community (a diverse, heterogenous group that nonetheless is presumed by many to be male, perhaps even white and male), there may exist the assumption that songs like “Blind” are speaking particularly to a gay male experience — though doing so ignores that singer Antony Hegarty doesn’t identify as male. However, I think most of this can be attributed to Hercules leader Andy Butler, who is a gay man.

We love “Athene” because, apart from being a groovy little dance gem, that’s totally queer but also from a female perspective. Dyke disco! Plus, it boasts the vocals of one Kim Ann Foxman.

Now, she’s a dyke to watch out for. I love the gender tension at work in her on the butch side of androgynous look. And did you know that she’s a jewelry maker? Fierceness.

Also, I love her voice — kind of mumbly, but no less powerful. And I love her interplay with singer Nomi Ruiz (who, like Antony, is also transgendered) in this clip. You really get a sense that they make room for themselves in the collective. And of course, it goes without saying that I love that the performance on the roof, the New York skyline at sunset serving as a backdrop for their set.

So, yeah. Big ups to Kim Ann and big ups to Hercules and Love Affair for creating a visible space in dance culture for multiple identities within the LGBT community.





 

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