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	<title>Comments on: Records That Made Me a Feminist, by Brea</title>
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	<link>http://feministmusicgeek.com/2009/05/01/records-that-made-me-a-feminist-by-brea/</link>
	<description>Feminist discourses in wax and plastic</description>
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		<title>By: Covered: Sleater-Kinney&#8217;s The Hot Rock &#171; Feminist Music Geek</title>
		<link>http://feministmusicgeek.com/2009/05/01/records-that-made-me-a-feminist-by-brea/#comment-851</link>
		<dc:creator><![CDATA[Covered: Sleater-Kinney&#8217;s The Hot Rock &#171; Feminist Music Geek]]></dc:creator>
		<pubDate>Sun, 03 Jan 2010 04:58:21 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=213#comment-851</guid>
		<description><![CDATA[[...] as many bristled at the band smoothing over its once rawer sound (though I know at least one person who would disagree with that opinion). I also seem to remember some folks derisively referring to [...]]]></description>
		<content:encoded><![CDATA[<p>[...] as many bristled at the band smoothing over its once rawer sound (though I know at least one person who would disagree with that opinion). I also seem to remember some folks derisively referring to [...]</p>
]]></content:encoded>
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		<title>By: Covered: The Long Blondes&#8217; &#8220;Someone To Drive You Home&#8221; &#171; Feminist Music Geek</title>
		<link>http://feministmusicgeek.com/2009/05/01/records-that-made-me-a-feminist-by-brea/#comment-478</link>
		<dc:creator><![CDATA[Covered: The Long Blondes&#8217; &#8220;Someone To Drive You Home&#8221; &#171; Feminist Music Geek]]></dc:creator>
		<pubDate>Wed, 16 Sep 2009 03:04:47 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=213#comment-478</guid>
		<description><![CDATA[[...] skies became increasingly overcast. And singing at full volume. As my friend Brea mentioned in her entry about records that made her a feminist, it&#8217;s important for women and girls to find singers [...]]]></description>
		<content:encoded><![CDATA[<p>[...] skies became increasingly overcast. And singing at full volume. As my friend Brea mentioned in her entry about records that made her a feminist, it&#8217;s important for women and girls to find singers [...]</p>
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		<title>By: feministmusicgeek</title>
		<link>http://feministmusicgeek.com/2009/05/01/records-that-made-me-a-feminist-by-brea/#comment-48</link>
		<dc:creator><![CDATA[feministmusicgeek]]></dc:creator>
		<pubDate>Mon, 04 May 2009 03:55:01 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=213#comment-48</guid>
		<description><![CDATA[Thanks for sharing, Brea! &quot;The Hot Rock&quot; is one of my favorite S-K records because 1) I seem to remember music critics at the time calling it their &quot;dance&quot; record -- perhaps someone even called it their &quot;New Order&quot; album and 2) that cover. Seriously, it&#039;s one of the best covers ever. I love that they&#039;re carrying their own gear, appear to be in a strange city while on tour, and Carrie is hailing a cab. 

I especially love your discussion of Elizabeth Elmore and the importance of relating to her voice. I remember not being able to sing along with dudes because their registers were different from mine and . . . well . . . they just didn&#039;t sound like me. Growing up, it&#039;s really important to be able to identify and emulate other people as you&#039;re trying to figure out who you are, so having a girl who can sing just like you is really important. Thanks for bringing that into the discussion.

Also, I&#039;ve never really listened to Sarge, so thanks for giving me another band to check out.]]></description>
		<content:encoded><![CDATA[<p>Thanks for sharing, Brea! &#8220;The Hot Rock&#8221; is one of my favorite S-K records because 1) I seem to remember music critics at the time calling it their &#8220;dance&#8221; record &#8212; perhaps someone even called it their &#8220;New Order&#8221; album and 2) that cover. Seriously, it&#8217;s one of the best covers ever. I love that they&#8217;re carrying their own gear, appear to be in a strange city while on tour, and Carrie is hailing a cab. </p>
<p>I especially love your discussion of Elizabeth Elmore and the importance of relating to her voice. I remember not being able to sing along with dudes because their registers were different from mine and . . . well . . . they just didn&#8217;t sound like me. Growing up, it&#8217;s really important to be able to identify and emulate other people as you&#8217;re trying to figure out who you are, so having a girl who can sing just like you is really important. Thanks for bringing that into the discussion.</p>
<p>Also, I&#8217;ve never really listened to Sarge, so thanks for giving me another band to check out.</p>
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