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	<title>Comments on: All over &#8220;All Over Me&#8221;</title>
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	<link>http://feministmusicgeek.com/2009/05/29/all-over-all-over-me/</link>
	<description>Feminist discourses in wax and plastic</description>
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		<title>By: Robin Tunney double feature: &#8220;Empire Records&#8221; and &#8220;The Craft&#8221; &#171; Feminist Music Geek</title>
		<link>http://feministmusicgeek.com/2009/05/29/all-over-all-over-me/#comment-726</link>
		<dc:creator><![CDATA[Robin Tunney double feature: &#8220;Empire Records&#8221; and &#8220;The Craft&#8221; &#171; Feminist Music Geek]]></dc:creator>
		<pubDate>Fri, 04 Dec 2009 00:55:50 +0000</pubDate>
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		<description><![CDATA[[...] songs by alternative rock artists. Unlike The Craft and Empire Records, and more in line with All Over Me, Girls Town and Foxfire paid particular attention toward showcasing female artists, particularly [...]]]></description>
		<content:encoded><![CDATA[<p>[...] songs by alternative rock artists. Unlike The Craft and Empire Records, and more in line with All Over Me, Girls Town and Foxfire paid particular attention toward showcasing female artists, particularly [...]</p>
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		<title>By: k</title>
		<link>http://feministmusicgeek.com/2009/05/29/all-over-all-over-me/#comment-128</link>
		<dc:creator><![CDATA[k]]></dc:creator>
		<pubDate>Tue, 02 Jun 2009 14:23:12 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=510#comment-128</guid>
		<description><![CDATA[Actually alyx let me borrow her copy of the film and I watched it this weekend. Overall I really enjoyed the film and the ambiguity of Claude coming out. While I can appreciate such films as But I&#039;m a Cheerleader and the coming out scene in that film, I appreciate that All Over Me positions &quot;coming out&quot; as an on-going and complex process - perhaps including multiple stages (or varying degrees) of coming out, as is the case in the scene where Claude is reluctant at first to kiss Lucy in public.]]></description>
		<content:encoded><![CDATA[<p>Actually alyx let me borrow her copy of the film and I watched it this weekend. Overall I really enjoyed the film and the ambiguity of Claude coming out. While I can appreciate such films as But I&#8217;m a Cheerleader and the coming out scene in that film, I appreciate that All Over Me positions &#8220;coming out&#8221; as an on-going and complex process &#8211; perhaps including multiple stages (or varying degrees) of coming out, as is the case in the scene where Claude is reluctant at first to kiss Lucy in public.</p>
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		<title>By: Alyx Vesey</title>
		<link>http://feministmusicgeek.com/2009/05/29/all-over-all-over-me/#comment-123</link>
		<dc:creator><![CDATA[Alyx Vesey]]></dc:creator>
		<pubDate>Sun, 31 May 2009 19:02:16 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=510#comment-123</guid>
		<description><![CDATA[I &lt;em&gt;especially&lt;/em&gt; want you and Lambert to see this one. When I watched it, you were the two folks I thought about.]]></description>
		<content:encoded><![CDATA[<p>I <em>especially</em> want you and Lambert to see this one. When I watched it, you were the two folks I thought about.</p>
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		<title>By: c8ic8</title>
		<link>http://feministmusicgeek.com/2009/05/29/all-over-all-over-me/#comment-122</link>
		<dc:creator><![CDATA[c8ic8]]></dc:creator>
		<pubDate>Sun, 31 May 2009 14:06:35 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=510#comment-122</guid>
		<description><![CDATA[This movie sounds terrific!  I will have to queue it up right away.

I&#039;m glad you mention Alison Folland&#039;s performance in &lt;em&gt;To Die For&lt;/em&gt;, as it is the one with which I most associate her.  There&#039;s a lot of great queer tension in that character&#039;s interactions with Nicole Kidman&#039;s Suzanne.  It makes me all the more curious about &lt;em&gt;All Over Me&lt;/em&gt;, as it seems like that film fleshes out these issues more thoroughly.]]></description>
		<content:encoded><![CDATA[<p>This movie sounds terrific!  I will have to queue it up right away.</p>
<p>I&#8217;m glad you mention Alison Folland&#8217;s performance in <em>To Die For</em>, as it is the one with which I most associate her.  There&#8217;s a lot of great queer tension in that character&#8217;s interactions with Nicole Kidman&#8217;s Suzanne.  It makes me all the more curious about <em>All Over Me</em>, as it seems like that film fleshes out these issues more thoroughly.</p>
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