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	<title>Comments on: Read &#8220;Soundtrack Available: Essays on Film and Popular Music&#8221;</title>
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	<description>Feminist discourses in wax and plastic</description>
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		<title>By: &#8220;Changing Tunes&#8221; for changing seasons &#171; Feminist Music Geek</title>
		<link>http://feministmusicgeek.com/2009/06/27/read-soundtrack-available-essays-on-film-and-popular-music/#comment-458</link>
		<dc:creator><![CDATA[&#8220;Changing Tunes&#8221; for changing seasons &#171; Feminist Music Geek]]></dc:creator>
		<pubDate>Sun, 13 Sep 2009 03:34:28 +0000</pubDate>
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		<description><![CDATA[[...] reading of Little Voice aligns with Pamela Robertson&#8217;s, I will refer you to a previous entry where Robertson&#8217;s essay is discussed. And while I would&#8217;ve liked more development of [...]]]></description>
		<content:encoded><![CDATA[<p>[...] reading of Little Voice aligns with Pamela Robertson&#8217;s, I will refer you to a previous entry where Robertson&#8217;s essay is discussed. And while I would&#8217;ve liked more development of [...]</p>
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		<title>By: Paul Ramaeker</title>
		<link>http://feministmusicgeek.com/2009/06/27/read-soundtrack-available-essays-on-film-and-popular-music/#comment-442</link>
		<dc:creator><![CDATA[Paul Ramaeker]]></dc:creator>
		<pubDate>Tue, 08 Sep 2009 09:42:08 +0000</pubDate>
		<guid isPermaLink="false">http://feministmusicgeek.com/?p=731#comment-442</guid>
		<description><![CDATA[Why thank you!]]></description>
		<content:encoded><![CDATA[<p>Why thank you!</p>
]]></content:encoded>
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		<title>By: Joan Holloway&#8217;s &#8220;magnificent&#8221; parlor game &#171; Feminist Music Geek</title>
		<link>http://feministmusicgeek.com/2009/06/27/read-soundtrack-available-essays-on-film-and-popular-music/#comment-426</link>
		<dc:creator><![CDATA[Joan Holloway&#8217;s &#8220;magnificent&#8221; parlor game &#171; Feminist Music Geek]]></dc:creator>
		<pubDate>Sat, 05 Sep 2009 04:51:27 +0000</pubDate>
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		<description><![CDATA[[...] Though coming from a musical written by an American, after having read Kelley Conway&#8217;s piece on the chanteuse réaliste and Phil Powrie&#8217;s piece on the role the accordian has played [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Though coming from a musical written by an American, after having read Kelley Conway&#8217;s piece on the chanteuse réaliste and Phil Powrie&#8217;s piece on the role the accordian has played [...]</p>
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