Still from "The Sorcerer's Apprentice"; image courtesy of theanimationblog.com
I recently put together a post on Fantasia for Dark Room, a blog my friend Caitlin runs. As Caitlin is quite the feminist horror film scholar, her blog focuses mainly on movies and some television programs that are either scary, darkly comedic, or both. Appropriately, I wrote about how the movie in question scared me as a kid as part of an ongoing series on childhood cinematic traumas.
It should be noted that I’m a bit of a ‘fraidy cat when it comes to horror movies. Thus, Caitlin is responsible for opening my eyes to the feminist possibilities of watching and interpreting horror. If you’re a feminist music geek who’s a bit skittish about the genre, I highly recommend reading her pieces on Dario Argento’s Opera and horror-informed music videos. I also value her assessments of TV shows like True Blood and movies like An American Crime, Palindromes, Heavenly Creatures, and Jennifer’s Body, among many others.
And if you’re a feminist music geek who loves horror, you should already be reading Dark Room. 
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