Tagged: Katey Red


I’m planning on posting a SXSW preview this Friday of all the acts and showcases I’m excited to see. One recentish staple is GayBiGayGay (established in 2005), which helps close the festival on Sunday. I’ve actually never been before because I’m usually wiped by then, relying on friends and media outlets to give me the scoop. But I’ll drop some Emergen-C and watch the new Shunda K. video a million times if that’s what it takes to get myself off the couch. Here are some folks who’ve been on the bill in the past to get you (and me!) ready, willing, and able.

Lady Kier revival, please?

Lady Kier with Bootsy Collins in Deee-Lite's heyday; image courtesy of flickr.com

If the 90s will be what this decade of popular music revisits, then isn’t it time we pay our respects to Lady Kier and Deee-Lite? They were more than one-hit wonders, ya’ll.

Lady Kier has long been an idol of mine, starting at around the age of 10 when I bought Dewdrops in the Garden on cassette and incorporated it into my bedroom dance party rotation. And judging by my appreciation of all but the last ten minutes of Party Girl, you can imagine how I feel about Nylon‘s recent celebration of the movie’s celebration of 90s New York dance culture and Lady Kier’s influence on its fashion. Prada even anticipated a revival of sorts in its spring 2008 collection when the house featured platforms very reminiscent of John Fluevog, one of Lady Kier’s favorite shoemakers. And as I mentioned earlier, Married to the Mob paid tribute to the diva with this t-shirt.

Now, people in the know are probably thinking “Revival? But Lady Kier never left us.” Which is true. After Deee-Lite broke up in 1996, Kier struck out on her own as an internationally renowned deejay. Her mixes were a cram session staple of mine in college.

Lady Kier on the ones and twos; image courtesy of fourfour.typepad.com

Kier also courted legal controversy in 2006 by claiming that Sega plagiarized her likeness for a video game character. She lost the case, but Ulala in Space Channel 5 certainly looks familiar.

Ulala on the left, Kier on the right; image courtesy of mentalfloss.com

She’s also been very much alive in the hearts of the LGBT community, playing various events and aligning herself as an ally. I’m not sure if Kier is aware of sissy bounce, but in my dreams she links up with Big Freedia or Katey Red.

This is very much in keeping with the group’s public support of LGBT rights, safe sex, and AIDS awareness, along with other interests like protecting the environment, racial equality, reproductive choice, and ending animal cruelty.

Lady Kier with Lady Bunny at Wigstock 2005; image courtesy of brooklynvegan.com

Thus I think that if Deee-Lite are due for a revival, hopefully we can revisit Infinity Within, the group’s sophomore release that was maligned at the time for being too “political.” Long before I heard Au Pairs and Gang of Four, Deee-Lite (along with The Pet Shop Boys) were one of the first acts that let me know you can dance and be conscious at the same time. This is to say nothing of the fact that I found out about Bootsy Collins — and by extension P-Funk — because of them.

In short, let’s break out the platforms. Perhaps I’ll pay tribute this Halloween by pairing them with a catsuit.