Posts Tagged ‘Neko Case



18
Jul
09

I wanna drink a beer with Neko Case

Neko Case, laughing

Neko Case, laughing

Now, a common misconception is that feminists have no sense of humor. Nothing’s funny, everything’s serious, no more so than ourselves. Maybe none of ya’ll think that. And maybe Tina Fey, Mindy Kaling, Amy Poehler, Wanda Sykes, Sarah Silverman, Amy Sedaris and others have changed (or at least modified) this perception and, with it, people will recall Cloris Leachman, Phyllis Diller, Moms Mabley, and many more. I can only hope.

One thing I hope no one thinks about feminists is that we don’t like beer. This feminist loves beer. If I ever throw a party and you’re invited and you don’t know what to bring, the answer is always “Shiner.”

One person who I hope shares my viewing on funny ladies and beer is Neko Case (we do share Katt Williams’s opinion that a man getting eaten by a caged tiger at the zoo is right and just).

And while I’m not sure if she’s a feminist, I do know that she’s funny. Just listen to her rants, asides, and outbursts in a recent episode of Wait Wait . . . Don’t Tell Me!. I could listen to her go off on neko wafers and Ken Burns’s The Civil War til last call.

12
Jun
09

Two redheads: Neko and Conan

I just really like that Neko Case was on Conan last night. Two of my favorite redheads, one of whom is making a transition from late late night to late night and the other made Middle Cyclone, my favorite album of the year so far. Kinda nice that they were both around last night to nudge each other closer to the mainstream. Anyway, I thought I’d share.

08
Jun
09

Music Videos: Alter egos

So, lots of ladies in music have played with alter egos. Kate Bush, PJ Harvey, and Neko Case have made careers for themselves writing and recording songs as multiple characters, playing with gender roles in the process. Tori Amos released American Doll Posse in 2007, wherein she recorded and subsequently toured as a five-member girl group, each member having their own distinct look and personality modelled after Greek goddesses.

I keep thinking about female musicians’ use of alter egos alongside Elana Levine’s reading of the Showtime series The United States of Tara, which is written by Diablo Cody and stars Toni Collette as a working wife and mom with multiple personality disorder. Levine reads the show as a response to third-wave feminism’s interest in the multiplicity of identity.

I find this concept useful for my preoccupations with gender performance in music culture, particularly in thinking about Beyoncé’s Sasha Fierce and Bat for Lashes’ Pearl. Click on the artist’s name to watch each music video.

Bat for Lashes
“Pearl’s Dream”
Two Suns
Directed by Nima

Beyoncé
“Diva”
I Am Sasha Fierce
Directed by Melina Matsoukas

Thinking about the multiplicity of identity in conjuction with women of color opens up and complicates issues of identity even more (Bat for Lashes’ Natasha Khan is British and of mixed ethnic and racial hertiage — Pakastani on her father’s side, Caucasian on her mother’s side; Beyoncé is African American who is of French descent on her mother’s side). Khan’s Pearl wears a blonde wig and reads as white. Beyoncé’s Sasha has a metallic glove associated with robots and cyborgs, who are often racially coded as white. That these personae are shown alongside the artists’ “true” identities is also important, suggesting that they are both performances and extensions of themselves.

31
May
09

Music Videos: Animation!

I co-chaired a panel called “Bitches Get Things Done” at the 2008 Flow Conference. At it, professional smartie Jonathan Gray made a really interesting point about how animation creates a strange and complex relationship with the body, perhaps distancing or distorting our conceptions of girl characters’ femininity and femaleness. He was specifically talking about Lisa Simpson; I keep thinking about Connie on King of the Hill, specifically in season four’s “Aisle 8A” when she gets her first period. I also keep wondering what’s going on with the common practice of female actors voicing pubescent boy characters. Hmmm.

For the purposes of this post, though, I was compelled by some animated music videos, all accompanying songs by female singer-songwriters, and how animation may create compelling relationships with the song, the voice, and the videos’ narrative. Here, we have a stop-motion music video that uses fabrics, buttons, thread, sea shells, starfish, and domestic items to tell a story, an animation music video where a girl cuts open animals to put diamonds in their hearts from her ear, and a live action-animation hybrid that tells the story of a young woman using sparrows (literally and metaphorically) as a means of travel and personal growth. Click on the artist’s name and enjoy.

Joanna Newsom
“Bridges and Balloons”
The Milk-Eyed Mender
Directed by Jovana Sarver

Tara Jane O’Neil
“A Vertiginous One”
A Ways Away
Directed by Zak Margolis

Neko Case
“Maybe Sparrow”
Fox Confessor Brings the Flood
Directed by Julie and Paul Morstad

18
May
09

“Does your hometown care?”: A local on the road

Cover of Local, by Brian Wood and Ryan Kelly; image taken from newsok.com

Cover of Local, by Brian Wood and Ryan Kelly; image taken from newsok.com

I’ve been trying to get into graphic novels and comic books lately. I’m not a big fiction reader in general, but they seem to read themselves. Plus, you know, pretty pictures. Anyway, I asked some girlfriends for recommendations and one of them suggested I read Local. To quote, ”Buy it right now! It’s about every girl you’ve ever known.” Strong endorsement.

Local is a 12-volume collection of short stories. Each volume documents the year in the life of vagabond Megan McKennan, who is the series’ protagonist, though sometimes a background character. Starting in 1994 when she is 17, each volume takes place in a different city. Megan moves from city to city, job to job, apartment to apartment, boyfriend to boyfriend, haircut to haircut. The only thing that’s ever certain for her is her backpack, her discman, and the road.

I’m not sure if Local is about every girl I’ve ever known so much as parts of every girl I’ve ever known are in Megan.

I also admire Megan a bit. She never lets herself feel obligated to stay when she feels the wanderlust. I guess a lot of folks had difficulty with Megan’s nomadic nature, but I find a lot of bravery in a young woman who refuses to be tied down to a person or a situation she doesn’t want. She’s also tough and resourceful, able to figure her way around whatever city she finds herself living in.

She’s also often alone, though not always lonely. She always has the city and its learned reference points. One treasure of the series is its emphasis on place. We meet her at 17 in Portland, trying to fill her crazy boyfriend’s prescription in Nob Hill. In Minneapolis, we can see every sleeve and promotional poster in the record store she works at. When Megan finds herself in Park Slope, the neighborhood is rendered so particularly that it almost becomes tangible. When she waits tables for bougie gourmands in Wicker Park, you can smell the entrées. And when she confronts the memory of her parents, she does so by visiting Norman to recreate a photo they took as students at the University of Oklahoma.

Should I stay or should I go?; image taken from flickr

"Should I stay or should I go?;" image taken from flickr

We also meet other people, mainly dudes, who Megan is connected to in one way or another. There’s a musician retiring in Richmond after his band breaks up. When meet Megan’s skater cousin Nicky, who is suffering through high school in Tempe, we get a sense for the vast flatness of Arizona’s landscape and architecture as he ambles drunkenly from house party to house party. Her damaged kid brother bides his time at Beerland in Austin. And there are the two embittered brothers in Missoula who have a stand-off in a diner.

There’s also Nancy Bai, the precocious art student who’s an admin at 30-year-old Megan’s office in Toronto, who tries to steal Megan’s memories for the sake of art.

We also get flashbacks of Megan’s mother, a loving but long-suffering woman who permits her daughter to be a traveler out of fear that she’ll end up in an uphappy, abusive marriage. With this information, I think that the way Megan’s journey ends in the series is touching. In fact, I owe my mom a phone call.

In addition to cities, Megan always has music. She’s particularly fond of indie music, one time meeting the lead singer of Theories and Defenses, a fictitious band, while in Richmond. He’s a jerk to her, autographing one of his records for her before having her pay him for it.

Importantly, music helped the writer and illustrator shape their protagonist. The end of each issue comes with brief essays from both Wood and Kelly, along with the tracklists they listened to while putting the issue together. I really appreciated this kind of detail, as I liked knowing just what may be in Megan’s discman. Nicely, there are plenty ladies. Guys like The Replacements, The Minutemen, and Junior Boys occupy aural space alongside Cibo Matto, Björk, Sade, Neko Case, and The Be Good Tanyas, as well as mixed-gender groups like Lush and Superchunk. In addition, there are plenty of songs they used that I’ve never heard, so I’ve got some more listening to do.

Guess I’m gonna have to read Kelly’s Demo series next!





 

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