Posts Tagged ‘Social Registry

04
Dec
09

Taylor Momsen, musician?

Taylor Momsen, apparently over it; image courtesy of gofugyourself.com

So, did ya’ll know that Taylor Momsen fronts a rock band? I guess that’s why she’s always sneering each time I see her on Go Fug Yourself. All this, and Leighton Meester working toward a pop career too!

Now, I don’t want to seem snide or condescending, especially about a veteran child actress transitioning into adulthood. I don’t want to speculate that her interest in music has developed just as the once-hot teen soap she’s on is starting to cool. Who am I to suggest that the Gossip Girl star’s musical forays aren’t sincere?

 

Apparently Momsen’s been singing for years and fronts a band called The Pretty Wreckless. While essentially a solo project with some (male) hired-gun musicians, she is the act’s vocalist, costume designer, and primary songwriter. The group has been putting on shows and has recorded a single, “Zombie,” which has a raw sound that suggests Momsen’s listened to a lot of Courtney Love.

Momsen channels Love when fronting her band; image courtesy of buzznet.com

Momsen’s done a lot more to suggest she wants to explore music beyond adding another hyphenate, like one-time would-be pop singers Hilary Duff, Paris Hilton, Lindsay Lohan, and Nicole Richie, who at one point was in a band with model Josie Maran called Darling and was supposed to be working on an alternative-influenced solo project that may or may not see the light. Momsen even plays a bit of guitar as well. I’d hazard she’d do more of it if she’d bulk up. Have you seen her twiggy arms? Homegirl needs to eat all kinds of sandwiches.

But I am a still little incredulous, as I am about Momsen’s entire hipster image, which became public just as Jenny Humphreys was becoming the UES’s edgy It Girl on Gossip Girl. There’s something just way too pre-fab about all of it that makes me wonder if there’s any real difference between Momsen wears skinny jeans and when, say, the Jonas Brothers do it (or, as Jonah Weiner points out in an article Kristen sent my way, when Miley Cyrus hires producers who swipe from lesser-known songs for indie cred). After the controversial but transformative presence Rachel Zoe had in reinventing Nicole Richie’s public image, I work under the assumption that all celebrities have stylists and that Momsen’s no exception, even if she herself is interested in fashion. I can’t help but wonder if similar industrial mechanisms are at work for her and her musical aspirations.

Maybe I’m just being snobby about medium and public image. While I have my doubts about Momsen’s musical pursuits, I never questioned when fellow former child actress Jena Malone released a seven-inch with Social Registry back in 2007 and continued on as the lead singer of The Shoe. Assuredly this has much to do with an appreciation of Malone’s experimental sound.

Jena Malone, in concert; image courtesy of jena-malone.info

But I’d be lying if I said my enjoyment of Malone’s music wasn’t informed by my pre-established fandom of her turns in indie-friendly fare like Cheaters, Saved, and Donnie Darko. It probably didn’t hurt matters that she has lesbian parents, legally emancipated herself as a minor for financial reasons, and appeared in public with a bald head. In short, her outsider persona matched her acting and musical choices. It seemed, to employ that ickiest of value judgements, “authentic.”

That said, I support Momsen’s right to rock out. But I’ll have to hear and see more before I call myself a fan.

06
Aug
09

Covered: I.U.D.’s “The Proper Sex”

Cover of The Proper Sex, released in 2009 on Social Registry; image courtesy of supmag.com

Cover of The Proper Sex, released in 2009 on Social Registry; image courtesy of supmag.com

So, let’s run through the numbers. Why are we looking at this album cover today?

1. The name of this project is I.U.D., as in intrauterine device, as in that t-boned thing installed in women and girls for contraceptive purposes that I don’t want to judge you if you use it, but keep it far the fuck away from me.
2. The duo is comprised of the (shirtless) Lizzi Bougatsos of Gang Gang Dance and Sadie Laska of Growing. Female duo making “songs” out of sampled audio from porn, guitar noise, and monstrous vocals that only sometimes form into tunes. Pitchfork’s Mike Powell may have a problem with the lack of clear melodies, but I don’t. Perhaps the configuration is toward feminist ends? Their label’s press release does suggest you serve the record “chilled at a party hosted by hyper-feminist vampires.” Happy Halloween.

3. The name of the album is called The Proper Sex. Brings to mind Au Pairs’ seminal debut, Playing With a Different Sex?
4. Track titles include: “Daddy,” “Glo Balls,” and “Girls Just Wanna (Time to Have Sex).”

And then there’s Richard Kern’s cover, which brings up a whole different set of issues:

1. Are these girls just in a band together? Is being in a band more intimate than being conventionally romantically coupled?
2. Likewise, is it so simple to cast topless Lizzi as feminine and Sadie as masculine in her button-down and tie? How about when you consider it alongside Sparks’ Big Beat?
3. What’s with the scarring on Lizzi’s stomach?

And while the press release sites Sparks, it’s hard for me not to conjure images of Patti Smith’s Horses. And the sleeve art is pure Linder Sterling. In fact, I think she’d be pleased with the sound and intent as well.

Vinyl and sleeve art; image taken from happypeopledontcomplain.blogspot.com

Vinyl and sleeve art; image taken from happypeopledontcomplain.blogspot.com

Now, I don’t want to overreach the album’s feminist aims (especially since Laska seems to conflate feminism with post-feminism). Nor do I want to bring up a band and then dismiss their problematic use of terms like “tribalism” or “Ghetto Sperm” (an I.U.D. song title) — indeed, impossible to bring up potentially dicey racial politics without getting into Bougatsos’s other band, Gang Gang Dance, who dabble in a sort of pan-Mediterranean/Middle Eastern “mysticism” (though I’m assuming, based on her surname, that Bougatsos is of Greek descent). But I do want to offer up this musical act, and its use of style and sound, as it shouldn’t be ignored in 2009.





 

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